Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where,
Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo
Retando A La Muerte
The Armstrong Lie
The Return