Shaping a concurrently indulgent and skeptical experience of the beautiful, the film draws an uneasy balance between the romantic and the horrid. A Frank O'Hara monologue (from a play of the same title) attempts to undercut the sincerity of the
Kate Adie Returns to Tiananmen Square
Return to Horror Hotel
Travelling Hawkers in Frankfurt am Main
Divers at Work on the Wreck of the "Maine"