One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling
Return to Reason
Halloween 4: The Return of Michael Myers
Harry Potter 20th Anniversary: Return to Hogwarts
Jarhead: Law of Return