Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years,
Casablanca: An Unlikely Classic
⭐ 6.5And the Oscar Goes To...
⭐ 7Catch Me If You Can: Behind the Camera
⭐ 8Remembering Reno: Reflections on the Making of Desert Hearts
⭐ 0An Old Fashioned Love Story: Making 'The Bridges of Madison County'
⭐ 9Blue Collar
⭐ 7.377Sunlight and Shadow: The Visual Style of 'L.A. Confidential'
⭐ 5Whatever You Desire: Making 'L.A. Confidential'
⭐ 7The Making of 'Seabiscuit'
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